The conventional wisdom is that a digital capture makes a 35mm capture look like the film image has Vaseline on the lens. I never said, “oh gee, 35mm isn’t that sharp.” But now, digital is for the most part a mature way to make pictures. When I was shooting film and printing in the darkroom, digital cameras were these expensive experiments that were mostly to be avoided. Bad scanners can introduce poor color, soften details, a very high amount of noise, and or ugly digital artifacts. It frequently does not come through unscathed. Scanning is often the bottleneck through which film, a high quality imaging product, must pass. Leica M4 – 35mm F2 Biogon – Fuji Superia 400
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